Monthly Archives: February 2014
Tom’s Top 5’s: Albums of 1997
1997 is, for me, the Year of Leaving Out Obvious Choices. The first such Obvious Choice is OK Computer. Oh, look at Tom, being all underground and contrary. It’s not like it’s one of the few albums that regularly challenges Sgt. … Continue reading
Track Spotlight: Tonbandgerät, “Halbmond”
Great music is a language beyond language, comprehensible whether you can understand the lyrics or not. That’s certainly the case with Hamburg-based quartet Tonbandgerät’s (German: tape recorder) and their truly delightful “Halbmond,” one of the singles from their 2013 debut … Continue reading
Tom’s Top 5’s: Albums of 1996
As the 90s progress, I notice that World Music constitutes a larger and larger proportion of my library. For the purposes of this exercise, I have chosen to limit myself to rock/pop/R&B. Most of the time, it’s not an issue … Continue reading
Tom’s Top 5’s: Albums of 1994
It is a testament to how deeply my love of 1960s/70s rock runs that, until recently, I considered any album released during my lifetime to be “modern.” And yet 1994 was fully 20 years ago – the same span elapsed … Continue reading
Tom’s Top 5’s: Albums of 1993
1993 is the first year of which I have any distinct memories as a child. I remember going on a hike in the Black Hills, where I grew up, with my father and our yellow lab, Rio, and finding a … Continue reading
Tom’s Top 5’s: Albums of 1991
When my tastes were being molded during my teenage years, I had a number of friends who were deeply into Nirvana. Suffice it to say, I didn’t understand the attraction. But the fact that so many of the people I … Continue reading
Tom’s Top 5’s: Albums of 1990
1990 is a big year for me. As in, it’s the year I was born. It’s also a year whose Top 5 reveals another major galaxy in my musical universe: power pop. Now, I love experimental music, progressive epics, synthesizers … Continue reading
Album Review: Transatlantic, “Kaleidoscope”
Forming a supergroup is always a risky proposition. If you aim high, you risk alienating your fans, and the record-buying public at large, if/when your material doesn’t hit the mark. And if you aim high, no matter how good the … Continue reading